Nuclear Assault were among thrash metal's most socially aware groups, making room for serious subject matter (and occasional goofs) in their careening speed metal riffing. They also remained closer to the world of hardcore than most of their peers, and at their late-'80s peak released some of the most uncompromising (albeit, interesting) thrash metal offerings of the time. Sadly, because they lacked any truly commercial material, Nuclear Assault would never reach the mainstream acceptance of a Metallica, Megadeth, or even Anthrax (of the Joey Belladonna yore. After performing on Anthrax' 1984 debut Fistful of Metal, bass player Danny Lilker decided to jump ship and search for a more aggressive outlet (if you can imagine that) for his music. Subsequent to a brief reunion of sorts with Anthrax pals Scott Ian and Charlie Benante, and ex-Psychos singer Billy Milano for the hugely influential S.O.D.
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